- The Virgin and her role in Anglicanism.
- Why is Our Lady so important?
- The Falling Asleep of Mary.
- England: Mary's Dowry.
- The Magdalene: a more "human" example of faith.
- The lost religious houses of London.
- The best Medieval church of London.
- The English Parish Church.
- Medieval wonder at the V&A.
- An army of angels.
- Edward the Confessor in an Italian key.
- Pope visits Anglican Church in Rome.
- Anglicans & Catholics: History in the Making.
- Anglican Centre in Rome, 50 years of love.
- A Medieval Englishman tomb in Rome.
- A Florentine Miracle.
- Renaissance beauty in Rome.
- Renaissance wonder in Santa Maria del Popolo.
- Janiculum Hill Churches.
- Charity in Renaissance Florence.
- Lost Renaissance treasure in Rome.
- Mannerist elegance in Florence.
- The Forgotten Saint.
- An Englishman's house in Renaissance Rome.
- The Tomb of Mary.
- The Church of the Holy Sepulchre.
Monday, November 23, 2015
Friday, November 20, 2015
St. Paul's in the late XIX century.
Sir Christopher Wren's St. Paul's Cathedral in London is indeed a fine building, sometimes its beauty is misunderstood. It is also true that its arrangement (and surroundings) changed endlessly since its creation. Many will realise that the current High Altar setting can't be contemporary to Wren's project. Of course there used to be a normal high Anglican altar in the Cathedral before the Oxford movement; a simple altar, covered in a Laudian frontal, with brass cross and candlesticks and surrounded by a wooden altar rail, in the post-Caroline Divine, high church fashion very popular at that time.
The quire and chancel at St. Paul's before 1888. (XVIII century engraving).
Many will believe that the current baldacchino is the fruit of the Oxford Movement or a Victorian extravaganza. It is not even so.
In the second half of the nineteenth century, architect Thomas Garner designed a new chancel, not Victorian, but pretty much in the same style of the Neo-Classical Cathedral (sorry to say, that's not Baroque).
Garner and Bodley's new High Altar and reredos.
Garner's altar and reredos were finished on St. Paul's day, 1888. The decoration of the reredos by Bodley, contained a fine crucifix, surrounded by scenes from the Calvary, the Blessed Virgin Mary, other biblical scenes and was topped with a sculpture of the risen Christ. The reredos was enclosed in two wings linking the altar to the quire, the area behind the altar became what is now known as "Jesus Chapel".
The High Altar with a historical altar frontal still in use.
Bodley's crucifix, once at the centre of the reredos.
Unfortunately the altar and reredos were highly damaged in the WWII (1940), during the Nazi bombings.
The chancel after the bombings (1940).
Hence after the war, a new altar was made, enclosed in a Baldacchino - resembling Wren's original project for the sanctuary. I do not believe it is particularly refined, it is perhaps that of the three that has less continuity with the rest of the building, but I leave my readers to have their own opinions, feel free to decide!
The chancel with the "new" setting.
Monday, November 2, 2015
On this day in which we remember the souls of the faithful departed, my church community of All Saints' Anglican Church Rome gathered in the chapel of the English Cemetery of Rome, near Piramide to have a Mass.
The cemetery was founded in the early XVIII century when the British aristocracy used to come to Rome for their grand tour, it eventually got bigger when also American families of the gilded age and the British used to come to Rome to spend their final years or to marry Italians, hence they needed also a place for their final rest.
Hence the cemetery was created in 1738 with the burial of a young Oxford student. Several notable people are buried in the cemetery, such as the poets Keats and Shelley, or Story, famous for his tomb with the beautiful sculpture Angel of grief.
During Mass we remembered the members of our community, both recent and not, in fact we also remembered John Keats who was a fellow parishioner of All Saints' back in his days! Living near the church, in what was then known the English Ghetto, which is to say the area surrounding the Spanish Steps and the Piazza del Popolo.
The chapel in which the service was held is somewhat reminiscent of the German Nazarene movement (analogue to the English Pre-Raphaelite one), and was built in 1898.